Two of this summer’s major footballing events are set to be captured in HD HDR rather than 4K UHD. Adrian Pennington asks if this is the start of a downward trend for 4K broadcasting.
Sports broadcasters have given up on 4K UHD for the time being at least with the UEFA Champions League Final and this summer’s European Championship both being produced in 1080p HD HDR as the host production format.
That’s a significant reversal of more than a decade-long trend to up the ante in terms of broadcast resolution with each successive major tournament.
The Champions League Final has been broadcast in UHD since 2015 and the Euros since 2016 (then 2021) but now there’s been a rethink.
Nor is UEFA an outlier: “We see similar discussions in the US, where Amazon Prime is...
You are not signed in
Only registered users can read the rest of this article.
Resistance may be futile: Animators unite to fight and work with AI
What happens when the tortoise of animation meets the hare of artificial intelligence? Speed is AI’s superpower but it threatens to wipe away jobs and craft. IBC365 is on the ground at the Animation Film Festival in Annecy.
SXSW London: Engagement, futurism and AI collide in East London
The inaugural South by Southwest London 2025 saw Shoreditch taken over by the US-founded creative festival brand, serving up a blend of business, tech and culture to an international audience, with delegates attending from 56 countries.
Hollywood is over: Time for creators to take charge
Film and TV professionals, studio executives and kit manufacturers are urged to open up to the creator economy or face ruin.
IBC Accelerators: AI Assistance Agents in Live Production
The IBC Accelerator project envisions AI-driven production assistants that seamlessly integrate into control room workflows, enhancing live production with intelligent automation.
The Bends: Hollywood studios unite to fast-track Veo 3 education
Google’s generative filmmaking tool Veo 3 sparks Hollywood exploration but creative ownership remains in flux.
