 10 (1).jpg)
Over the past two decades, the over‐the‐top (OTT) industry has undergone a remarkable transformation from a niche experiment to a multi‐billion‐dollar ecosystem, writes John Maxwell-Hobbs.
Rapid improvements in connectivity, the rise of advanced technologies, and shifting consumer preferences have all converged to change the way that audiences view programmes. Media and entertainment is an industry in constant flux, one where traditional television and digital streaming are increasingly intertwined, and where technical innovation and economic strategy are critical to success.
You are not signed in
Only registered users can read the rest of this article.
SXSW London: Engagement, futurism and AI collide in East London
The inaugural South by Southwest London 2025 saw Shoreditch taken over by the US-founded creative festival brand, serving up a blend of business, tech and culture to an international audience, with delegates attending from 56 countries.
Hollywood is over: Time for creators to take charge
Film and TV professionals, studio executives and kit manufacturers are urged to open up to the creator economy or face ruin.
IBC Accelerators: AI Assistance Agents in Live Production
The IBC Accelerator project envisions AI-driven production assistants that seamlessly integrate into control room workflows, enhancing live production with intelligent automation.
The Bends: Hollywood studios unite to fast-track Veo 3 education
Google’s generative filmmaking tool Veo 3 sparks Hollywood exploration but creative ownership remains in flux.
Point of ingest: Reshaping media capture and pre‐edit workflows
While questions remain over genAI’s impact on the creative sector, few can argue against the automation of mundane tasks bringing order to unprecedented volumes of footage.
